Imager Size 27.2mm Ø
23.8 x 13.4mm
27.1mm Ø
23.6 x 13.3mm
31.4mm Ø
27.7 x 14.6mm
27.9mm Ø
24.4 x 13.7mm
27.1mm Ø
23.6 x 13.3mm
20.3mm Ø
17.8 x 13mm
43mm Ø
35 x 24mm
26.8mm Ø
22.3 x 14.9mm
11mm Ø
8.8 x 6.6mm
11mm Ø
8.8 x 6.6mm
11mm Ø
8.8 x 6.6mm
11mm Ø
8.8 x 6.6mm
8mm Ø
6.9 x 3.2mm
8mm Ø
6.9 x 3.2mm
31.1mm Ø
24.9 x 18.1mm
36mm Ø
25.6 x 25.6
PL
PV
Nikon Canon
11mm
 Imager Type CMOSCCDCMOSCMOSCMOSMOSCMOSCMOSCCDCCDCCDCCDCMOSCMOSFILMCMOSCMOSCMOSCCD
 Lens Mount PLPLPL
PV
Nikon
Canon
PL
Nikon
Canon
Sony F3
PL
Micro
4/3"
(MFT)
PL
PL
Canon
PL
Canon
B4B4B4B4EX Mount

B4
FIXED LENSPLPL
PV
Nikon Canon
PL
PV
Nikon Canon
 Base ISO 800320800800800320100
Video

160
Still
100
Video

160
Still
320400500640400PL400500250
  Latitude  14 Stops12 Stops14
Stops
12
Stops
11
Stops
10 Stops9
Stops
9
Stops
11
Stops
10
Stops
10
Stops
10
Stops
7
Stops
7
Stops
15-16
Stops
10
Stops
 Frame Rates .75-60 fps1-50 fps1-120 fps @5K
1-150 fps @4K
1-200 fps @3K
1-300 fps @2K
1-30 fps @4K
1-60 fps @3K
1-120 fps @2K
1080
1-30 fps

720
1-60 fps @29.97
24, 25, 30
1920 x 1080

24, 25, 30 & 60
1280 x 720

24, 25, 30
1920 x 1080

24, 25, 30 & 60 @
1920 x 1080
1-60 fpsHPX-3000
24p, 25p, 30p

HPX-3700
1-30 fps
1080
1-30fps

720
1-48 fps @ 23.98
1-60 fps @ 29.97
HPX-2000
24p, 25p, 30p

HPX-2700
1-60 fps
1-30fps @1080p

1-60fps @ 720p
1-30fps @1080p

1-60fps @ 720p
1-60 fps5-1052 fps
@
1920x1080
 Digital Sampling on Recorded Media 1920 x 1080

2880 x 1620 (ARRIRAW)
1920 x 10805K
4.5 K
4K
3K
2K 1920x1080
4.5 K
4K
3K
2K 1920x1080
1920 x 10801920 x 1080

1280x720
1920 x 10801920 x 10801920 x 10801920 x 10801920 x 1080

1280 x 720
1280 x 7201920 x 10801920 x 10806K
4K
2K
1920 x 1080 Uncompressed
2048 x 2048 Uncompressed
RAW

1920 x 1080
 Recorded Bit Depth & Format 10 Bit
ProRes 4:2:2

12 Bit
ProRes 4:4:4

via External Recorder
ARRIRAW
10 Bit
HDCAM SR
12 Bit
R3D
12 Bit
R3D
8 Bit
XDCAM EX 10 Bit

via External Recorder
10 Bit S Log
8 Bit
AVCHD (H.264)
8 Bit
H.264
8 Bit
H.264
10 Bit
HDCAM SR
10 Bit
AVC-Intra 100
8 Bit
XDCAM
10 Bit
AVC-Intra 100
8 Bit
XDCAM
8 Bit
XDCAM
16 Bit (Linear)
10 Bit (Log)
14 Bit
Uncompressed
RAW
   Record Times   (2) 32GB
SxS Cards

40 min @ 4:2:2
28 min @ 4:4:4
HDCAM SR
Tape

50 min @ 4:2:2
50 min @ 4:4:4
SSD (Solid State Drive)
64GB - 15 min
128GB - 30 min
256GB - 60 min
5K w/ 5:1 Compression @ 4:4:4
16GB Card - 9 min
120GB RAM - 60 min
320GB Drive - 120 min
(2) 32GB
SxS Cards

100 Min @ 4:2:0
(2) 32GB SDXC Cards
180 Min @ 4:2:0
(1) 16GB Card

49 Min - 4:2:0
(1) 16GB Card

49 Min - 4:2:0
HDCAM SR
Tape

50 min @ 4:2:2
50 min @ 4:4:4
(5) 32 GB P2 Cards

200 min - 4:2:2
Optical Disk
95 Min - 4:2:2
(5) 32 GB P2 Cards

200 min - 4:2:2
(2) - 32GB SxS Cards 200 min @ 4:2:02) - 32GB SxS Cards 200 min @ 4:2:03 Perforation
14m48s 1000'

4 Perforation
11m 06s 1000'

Full RGB 4:4:4
32G Internal RAM
8.9s@1000fps

512G CineMags
3m14s @ 1000fps
 Weight Body Only 13.8 lb24 lb5 lb10 lb5.3 lb5.5 lb1.8 lb1.8 lb24 lb10.5 lb9.5 lb10 lb7.9 lb6.2 lb25 lb12 lb
    Highlights Positives    Low Light Performance
Wide Latitude
Cost Effective Workflow
Bright EVF w/ Overscan Great Color Separation
4:4:4 Recording
14 bit A/ D
Established HDCAM SR Workflow
Small - Ideal for 3D HDRx High Dynamic Range
Touchscreen LCD Established R3D workflow
EVF with overscan
12-14bit REDCODE
Low Light Performance Cost vs. Performance
Established .R3D Workflow on virtually all platforms
Small Size Ideal for 3D
Low Light Performance
Low Power Consumption
S Log 4:4:4 HD-SDI Out
Cost-Effective Large Imager for Depth of Field
Uncompressed Audio Highly Accepted Workflow on virtually all platforms
Cost vs Performance
Compact Size
Low Light Performance
Popular for Commercials, Music Video & webisodes
Cost vs Performance
Compact Size
Low Light Performance
Popular for Commercials, Music Video & webisodes
4:4:4 Recording
Established Workflow
Popular for Greenscreen
"HD D5" Quality
Cost vs. Performance
3700 Offers 4:4:4 Out
Combines the best of a tape and tapeless world. Low Cost Media
Native support by Major NLE
HD D-5 quality at Relatively low data & Rental rates Also Record 1080iCost vs. Performance
Size
Flexibility to mount Professional 2/3" Lenses
Cost
1/2" Imager
Full 1920x 1080
imager and recording
4:4:4 Color Sampling
Established Workflow
Widest Available Latitude
Proven Archival Value
Compact Camera Size
Uncompressed RAW
CineStation Workflow Anamorphic Lenses
14 Bit RAW
    Notable Credits     "Anonymous"
"Law & Order LA"
"Now"
"Playboy"
Hugo Cabaret"
"Tron Legacy"
"Red Tails"
"Law & Order:
Criminal Intent"
"Spiderman 4"
"Hobbit"
"Jack the Giant Killer"
"Prometheus"
(Alien Prequel)
"The Social Network"
"Pirates of the Caribbean 4"
"Winter's Bone"
New Camera Check Back Later for Updated List of CreditsNew Camera Check Back Later for Updated List of CreditsNumerous Regional & National Spots

Numerous Credits as a "C" & "D" camera for Television & Feature Films
NumerousRegional & National Spots

Numerous Credits as a "C" & "D" camera for Television & Feature Films
"Speed Racer"
"Public Enemies"


Numerous National & Regional Spots
"Doll House"
"Detroit 187"

Numerous National & Regional Spots
"Parks & Recreation"

Mark Burnett Productions
Numerous Regional SpotsNumerous Regional SpotsNumerous Regional Spots"The Black Dahlia"
"Chicago" "King's Speech"
"Quantum of Solace"
"Hurt Locker"
"Max Payne"
"The Spirit"

Numerous
National Spots
 Average National Daily Rental $1900 Plus
$1500 EV
with
(2) 32G Cards
$3250
with SRW-1
& SRPC-1
$2700
with
(2) 128GB SSD
$1200
with (2) 16GB Cards &
RAM Drive
$450 with
(2) 16 GB Cards
$350

(2) 32GB Cards
$350
w/
(2) 16GB Cards
$250
w/
(2) 16GB Cards
$2500 with
SRW-1M
& SRPC-1
$1100
with 2 16GB Cards
$1,000$800
w/ five 16GB Cards
$500
w/ two
16GB Cards
$375
w/ two 16GB Cards
$1,400
with
Mags
Last update2011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:36:372011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-26 14:02:582011-05-24 21:44:262011-05-24 21:36:372011-05-24 21:44:262011-05-24 21:44:262011-05-24 21:44:262011-05-24 12:09:352011-05-23 01:39:042011-05-24 21:44:26